Duane GardnerDuane Gardner
The Day After Yesterday
This series of paintings continues to explore the idea of mark making as well as the process of editing. At the beginning of this year I decided to go in a new minimalist direction and pare down paintings. I felt that my work prior to this series was very heavy handed and I wanted to move away from that.
I have also begun to experiment with using text to express feelings or thoughts. I did not want the text to be immediately apparent so I have attempted to abstract the text. This has been a very interesting process for me because it has forced me to think about text as shape and how to manipulate it. To further obscure the text, I have drawn from my Mexican-American heritage and used Spanish translations of the words or ideas I wanted to convey.
Ed PennebakerEd Pennebaker
Concatenations/Connections
We are all linked together. Nature and our relationship with natural resources has been a topic I relate to in my sculptures. Sometimes the simple movement of grasses and plants is mirrored in the fluidity of the glass. Other times, the concerns of what man is doing by poisoning nature and ultimately himself become the topic. I hope to let viewers interpret and imagine something that speaks to them about our surroundings and our link to nature.
Jan GosnellJan Gosnell
The Fulla' Brush Man
Jan Gosnell will be exhibiting works representative of two modes of perception. One will be works in oil on canvas and the other, figure drawings on paper. The oil paintings are expressions of ideas created from interior resources and developed through the imagination. The figure drawings are rapidly rendered with Conte’ crayon or charcoal with great attention exterior resources.
John HumphriesJohn Humphries
Fragments of Landscape
John Humphries received a MARCH and BFA from the University of Texas, Arlington. A visual artist and designer focusing on translating one media form to another. Currently, Humphries is an Assistant Professor at and a faculty in the Armstrong Interactive Media Studies at Miami University, Oxford. His extensive history includes group and solo exhibitions such as Kleinert/James Arts Center: Woodstock, New York; Jay Henry Memorial Gallery: Arlington, Texas; Hochschule: Rosenheim, Germany; Foxfire Studio: Rabun Gap, Georgia; Cage Gallery: Oxford Ohio; Beinnale of the Americas: Denver, Colorado, among others.
For Humphries, cities and the representation of cities are rife with uncomfortable hybrids born of erosion, neglect, misconception, new stories, changes in zoning, codes, and program. The ability to quickly transform the essential nature of a context is not to design, create, or fabricate the ideal representation of a place. His reason for going to a place is to transform perception of a place and capture the essence of a moment, for the purpose of engaging, intellectually and emotionally the context.
In this exhibition, the watercolor drawings refer specifically to John Humphries current travels in Malta and focus on using the visual syntax of architecture; to describe urban landscape, shadows, and sun; specifically the moments where these meet.
